Sturzgeburt einer Brücke or Precipitate Birth of a Bridge

began its journey not as a silkscreen print, but as an oil painting—a 'fake' print on canvas which I found housed within a frame. I embraced this pre-existing work, transforming its conventional boundaries with my screen painting. Utilizing seven colors, I layered and pushed the medium beyond its traditional limits, allowing the act of painting to dominate and morph the original image into something entirely new.

The abruptness in the artwork's title mirrors the swift and profound transition of the piece from its original state to its current form. The painting's evolution is a literal interpretation of building bridges—not just within the art's theme, but between the old and the new, the found and the created. It is a direct challenge to the viewer's perception of creation, authenticity, and transformation.

In repurposing the canvas and frame, I aimed to showcase the rebirth of a piece, highlighting the raw potential that lies within reimagining and redefining what already exists. This work stands as evidence of an artistic process that values adaptation and reinvention, a testament to the ever-evolving narrative of art itself.

《桥的陡生》并非始于丝网印画，而是一幅油画——我在一个画框里发现的‘伪’印刷画布。我接纳了这个现成的作品，用我的丝网绘画技术将其既定的边界转化。通过使用七种颜色，我层层叠加，让绘画行为超越了它的传统限制，使原始图像完全新的形态显现。

艺术品标题中的突然性，反映了作品从原始状态到当前形态的快速而深刻的过渡。这幅画的演变是对建造桥梁的直接诠释——不仅是在艺术主题上，还在于旧与新，发现与创造之间的桥梁。它直接挑战了观众对创作、真实性和转变的认知。

在重新利用画布和框架中，我的目标是展示一件作品的重生，凸显在重新想象和重新定义已有事物中潜藏的原始潜力。这件作品作为艺术过程中重视适应和再创造的证据，见证了艺术本身不断演变的叙事。

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Sturzgeburt einer Brücke or Precipitate Birth of a Bridge

began its journey not as a silkscreen print, but as an oil painting—a 'fake' print on canvas which I found housed within a frame. I embraced this pre-existing work, transforming its conventional boundaries with my screen painting. Utilizing seven colors, I layered and pushed the medium beyond its traditional limits, allowing the act of painting to dominate and morph the original image into something entirely new.

The abruptness in the artwork's title mirrors the swift and profound transition of the piece from its original state to its current form. The painting's evolution is a literal interpretation of building bridges—not just within the art's theme, but between the old and the new, the found and the created. It is a direct challenge to the viewer's perception of creation, authenticity, and transformation.

In repurposing the canvas and frame, I aimed to showcase the rebirth of a piece, highlighting the raw potential that lies within reimagining and redefining what already exists. This work stands as evidence of an artistic process that values adaptation and reinvention, a testament to the ever-evolving narrative of art itself.

《桥的陡生》并非始于丝网印画，而是一幅油画——我在一个画框里发现的‘伪’印刷画布。我接纳了这个现成的作品，用我的丝网绘画技术将其既定的边界转化。通过使用七种颜色，我层层叠加，让绘画行为超越了它的传统限制，使原始图像完全新的形态显现。

艺术品标题中的突然性，反映了作品从原始状态到当前形态的快速而深刻的过渡。这幅画的演变是对建造桥梁的直接诠释——不仅是在艺术主题上，还在于旧与新，发现与创造之间的桥梁。它直接挑战了观众对创作、真实性和转变的认知。

在重新利用画布和框架中，我的目标是展示一件作品的重生，凸显在重新想象和重新定义已有事物中潜藏的原始潜力。这件作品作为艺术过程中重视适应和再创造的证据，见证了艺术本身不断演变的叙事。

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